But this just sounds like a trivial time-waster by her standards – Swift’s celebrity feuds are not really one of the hundred most interesting things about her. The reason fans once cared about rap beefs: they inspired great songs, whether it was Queens vs. How to Watch Taylor Swift’s Acoustic ‘Folklore’ on Disney+ So let’s step back from the image and pay homage to her one-of-a-kind songbook - because the weirdest and most fascinating thing about Taylor Swift will always be her music. These are the songs that sum up her wit, her empathy, her flair for emotional excess, her girls-to-the-front bravado, her urge to ransack every corner of pop history, her determination to turn any chorus into a ridiculous spectacle. Sister Tay may be the last true rock star on the planet, making brilliant moves (or catastrophic gaffes, because that’s what rock stars do). It’s a tribute to her fierce creative energy - in the past couple years she’s released an avalanche of new music, with more on the way. For the Taylor’s Version remakes, both versions count as the same song. Since Taylor loves nothing more than causing chaos in our lives, she’s re-recording her albums, including the outtakes she left in the vault before. (I guarantee you are a more fascinating human than the Twilight guy, though I’m probably not.) All that matters is whether they’re about you and me. But they’re not ranked by popularity, sales or supposed celebrity quotient - just the level of Taylor genius on display, from the perspective of a fan who generally does not give a rat’s nads who the songs are “really” about. She’s got at least 5 or 6 dozen songs that seem to belong in her Top Ten. The hits, the flops, the deep cuts, the covers, from her raw 2006 debut as a teen country ingenue right up to Midnights and Speak Now (Taylor’s Version).Įvery fan would compile a different list-that’s the beauty of it. Let’s break it down: all 237 tunes, counted from the bottom to the top. So with all due respect to Taylor the myth, the icon, the red-carpet tabloid staple, let’s celebrate the real Taylor - the songwriter she was born to be. She was soaring on the level of the all-time greats before she was old enough to rent a car, with the crafty guile of a Carole King and the reckless heart of a Paul Westerberg - and she hasn’t exactly slowed down since then. It’s in her music where she’s made her mark on history - as a performer, record-crafter, guitar hero and all-around pop mastermind, with songs that can leave you breathless or with a nasty scar. But Swift was a songwriter before she was a star, and she’ll be a songwriter long after she graduates from that racket. Recently, the Georgia native was feeling particularly homesick and reached out to Underwood.Taylor Swift the celebrity is such a magnet for attention, she can distract from Taylor Swift the artist. The two exchanged phone numbers, and Lauren asks her for advice when she gets upset. Lauren cut a song Underwood co-wrote, called "Eighteen Inches." As a former "American Idol" winner, Underwood has provided meaningful support to Lauren. "I just think it's cool that I can share that with all of (my fans) the way that Carrie Underwood or Miranda Lambert or someone would." "I guess when people hear the songs, they're going to know if I've had my heart broken or if I've had my first love or all that kind of stuff," she said. She co-wrote one track, called "Funny Thing About Love," with Nashville songwriting talents Luke Laird and Brett James. The 12 songs Lauren chose for "Wildflower" reveal experiences she's gone through or stories she relates to on a personal level. "I think both her and (winner) Scotty (McCreery) are both in a really good position right now, because they're both young and they're both singing country music," he added, noting that the success of Taylor Swift has opened doors for young performers in the genre.
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